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  • Working With Play-Doh: The Benefits Of Programmer Art

    - Avram Dumitrescu
  • Schmutznik is a 2D platform game that uses play-doh for a unique visual art style. In the game, you control a robot who cannot jump but, instead, can extend its neck to reach higher platforms. By choosing the platforming genre, I was able to play with all kinds of game mechanics, using the limitation of minimal controls - left, right, and an action button - and a lack of jumping to explore many gameplay ideas.

    During its long development time, I considered and experimented with a range of different media for the game's look. This probably is due to my nature as an illustrator where I frequently play with different art materials to come up with a good solution for each client's need. Even though you control a robot in the game which, by its nature, is mechanical and precise, I wanted to contrast this with an art style that gave a more handcrafted feel to the game world.

    Play-doh is an interesting medium to work with because, in my experience, I found it difficult to make it look perfect. However, this loose style suited the homemade quality of the world I was creating for players. While there is a basic story - use your robot to clean up underground caves, avoid mutated creatures, and find the exit - I felt a photorealistic style would not have worked for the game's narrative where giant grasshoppers spit tiny grasshoppers at you and lava angrily rises when you accidentally sacrifice a sleeping moth to it.

    Throughout the creation of Schmutznik, I would regularly code and reject lots of ideas - I wanted each cave to introduce some new mechanic to keep gameplay fresh. It made no sense to model, photograph, edit, and clean up clay models for something that, after playtesting, might not be particularly fun to play. So, I made the quickest and messiest artwork for every new idea I had. If the new mechanic was engaging regardless of how bad it looked then better art would only improve the experience. And if the idea did not work then it did not hurt to delete the poor-quality preliminary images and code - no time making complex art was wasted, and the art assets did not feel too precious. I cannot stress how important this part of game development is. Artwork is not important when figuring out how to create engaging mechanics. When a gameplay element is successful, art can only elevate the player experience.

    Prototype version of a crusher, a timed gate that would punish the player if entered incorrectly.Almost final version of the crusher using playdoh.
    (Above, left) - Prototype version of a crusher, a timed gate that would punish the player if entered incorrectly. (Above, right) - Final play-doh version of the crusher.

    Blobs of digital paint to create an enemyFinal play-doh version of a dragini.
    (Above, left) - Blobs of digital paint to create an enemy. (Adobe, right) - Final play-doh version of a dragini.


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