Michael Nannings suggests a collection of tools that programmers and designers can use to produce abstracted and eye-catching game art.
Michael Nannings details the benefits of focusing on several small projects in order to learn valuable game design principles first-hand.
Drawing from his thesis on The Witcher 3, IULM University graduate Eduardo Tassi examines the Oxenfurt area's level design using metrics and topographical maps.
Levon Demurchyan discusses scope and the difficulties involved in maintaining a tight focus for creative works.
Joannes Truyens explores an alternate approach to interactive narrative, breaking down how Neurocracy's sci-fi story uses wiki articles to guide the player's experience.
Nicholas Lives explains how artists can move away from directly visualizing actions in a game world, and opt instead to represent those actions through non-literal means.
Tom Hermans explains how he made a game about optical illusions more accessible to players by focusing on simplicity, progression, and difficulty.
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